ORIGAMI

Origami, the Japanese art of folding paper (Jap. oru, to fold, kami, paper.)

Origami is a Japanese word and is universally adopted. It is important to note that origami is not exclusively a Japanese art. It has also developed independently in other parts of the world.

The problem with origami is that it is often perceived as a childish pastime since adults are rarely seen doing it. In fact, origami is rated on the same level as other art and sculpture. In Japan an origami master is very highly regarded, even as a national treasure. It is not uncommon in Europe and USA to have origami displayed in museums alongside other art and sculpture.

I hope this article will clear up some wrong pre-conceived ideas.

History of Paper Folding

The origins of paper folding is not precisely known. Many origami historian have associated paper folding with the discovery of paper, apparently assuming that with the discovery of paper, it would be used for artistic or ceremonial reasons.

Paper making was believed to have been discovered by a Chinese court official Tsai Lun around AD 100 in China. Prior to this papyrus first discovered by the Egyptians was also used as a writing material but this would not be considered just as we will not consider stones, wood or other materials that does not closely resemble the paper we used today for folding. Thus making the Chinese to be the first to fold paper. The main tradition of Chinese paper folding appears to be found within the tradition of ceremonies, funerals and prayers to the Gods.
 
At the start of the 7th Century, Buddhist monks brought paper made from the mulberry tree to Japan. In Japan during the Heian period (794 - 1185) is when the earliest evidence of paper folding such as the Noshi was found where it was used for ceremonial purposes. The Kamakura period (1185 - 1333), paper continued to be used for ceremonies. 'Modern' origami was believed to have started during the Muromachi period (1333 - 1573). By the Edo period (1603 - 1867), paper folding has become a popular pastime in Japan. The traditional crane was believed to have been created during this period. Around 1850, one of the most famous books mentioning origami, Kan-no-mado was published. Origami continued during the Meiji Period (1868 - 1912) into the Taisho Period (1912 - today). The reorganisation of origami as a creative art in Japan was through the efforts of Isao Honda. Akira Yoshizawa has been the dominating genius for many years.
Back to history, the art of paper making spread westwards following the caravan routes. It reached Egypt in the 10th Century and in the 12th Century, the Moors brought paper-making into Spain. The most ancient Spanish model is the Pajarita (sparrow), believe to originate prior to 16th Century. Even after the Moors were expelled in 1492, paper folding survived in Spain, to be revived by Miguel de Unamuno (1864 - 1936). 
Through the Arab occupation of Sicily, paper making reached Italy, France and the rest of Europe. By the second half of the 14th Century, the use of paper was well established in Europe. The first paper mill in North America was built in 1690.

In Japan where there is a long period of peace and stability, arts and culture was able to develop and origami along with it, and it has become part of the Japanese culture.

Origami Today

If you check Singapore's bookstores today, you will find that there are plenty of origami books. The fact is they are also popular. I know this for a fact as many times, I tell myself "I will get that origami book the next time I come to the store" only to find the book gone even if a few days apart.

This proliferation of origami books and rapid advancement of origami knowledge would not have been possible without the efforts of dedicated men like Akira Yoshizawa, Robert Harbin, Alfred Bestall (author of Rupert books), Isao Honda, Toshie Takahama and many others, and dedicated women like Lillian Oppenheimer, Alice Gray and others.

Akira Yoshizawa, the Japanese genius, or sensei (master) was the one who came up with the standards used today to document the folding steps. Robert Harbin popularised his standards and others adopted it. This has lead to the ability to pass the knowledge in print. This knowledge was acquired, passed along and developed further. Besides Japan, the countries dominating the origami scene include USA, England and Spain, all led by dedicated men.

Currently there are other origami masters all over the world. In England, we have David Brill, Nick Robinson, Paul Jackson, Dave Petty, in USA, there is John Montroll, Robert Lang, Stephen Weiss, Peter Engel, in Japan, other well known ones include Yoshide Momotani, Kunihiko Kasahara, Jun Maekawa, Toyoaki Kawai, Tomoko Fuse, Fumiaki Kawahata, in Spain, there is Vincente Palacios and there are too many to mention all of them.

Origami in Singapore

In Singapore, we too have a well known creator who is internationally known. He is Francis Ow, the author of the book Origami Hearts, published by Japan Publications. His work has been used in books published by other authors and used to be taught at international origami conventions, publications and newsletters. Other Singaporeans who has origami books published under his name include Edwin Ee, author of Jurassic Origami and Sebastian Kong who is no longer actively folding.

The informal origami group that I belonged to started in 1981 when I joined The British Origami Society although my interest in origami started around 1968. Upon joining, I checked and found Francis Ow, another fellow member. Together we held our first origami exhibition at Tiong Bahru Community Centre. Due to the publicity, a number of others with similar interest joined us and we later held demonstrations and exhibitions at Bukit Merah Library, at Marine Parade Library and a number of other places.

At that time, there were not many origami books and materials available and we had to order them from overseas. Through this contact we approach the manager of Kinokuniya, Mori-san. He was willing to order origami books for us. This was helpful especially after the closure of the other Japanese bookstore, Yajimaya in Singapura Plaza. It is though Kinokuniya that more and more origami books were brought into Singapore. We also approach the manager of the stationery section of Kinokuniya and were able to persuade her to bring in origami papers and the various kinds of Japanese papers not seen in Singapore during that time. We approached the People's Association, designed an origami course and got it started in community centres.
 
Currently our informal group has about 8 to 10 members and our last activity was at the Sakuran Cultural Club, a Japanese Cultural Club at Nanyang Polytechnic. We have also participated in a number of Hobby Craft fairs held by the People's Association.

You can take a look at this activity at via this link: http://www.origami.aaanet.ru/info/news/ori_sg.htm
 

We hope to get more and more people to join us in this wonderful pastime.

Francis Ow's website at: http://web.singnet.com.sg/~owrigami/

A website dedicated to the works of Ronald Koh at: http://www.origami.aaanet.ru/g_room/koh/g_koh.htm

Types of Origami models

Origami comes in many forms. What is considered to be pure origami is that the models must be made from an uncut square without the use of glue or any other adhesive material. Some even say that if the paper is unfolded it must return to its original square shape.

Origami has many techniques and there are names to it such as valley fold, mountain fold, reverse fold, creasing, crimp, squash fold, sinking, pleating and even more complicated ones like box pleating and twist folding.

Models can be simple and easy to fold like those coming from Japan. It should be noted that the Japanese can come up with very complicated models like the skeleton of a Tyrannosaurus or a Triceratops. Complicated folding, that is, folding for example an animal or an insect with all its appendages intact usually come from countries like USA.

Origami models can come from one piece of paper or from many pieces of paper. One piece model are generally more complicated and require a large piece of paper to start from. Compound models made from more than one piece of paper are usually less complicated as each piece of paper concentrate on a certain aspect of the model. Gluing is usually required. Some models require cutting. Die hard fans of pure origami frown upon gluing and cutting.

It is also possible to divide origami informally as follows: folding animals (including fishes, insects, birds), geometric folding, modular origami, folding faces, folding human figures, folding toys, folding masks, folding using dollar bills, folding dinosaurs, folding boxes, etc. You can also classify origami by the basic units or bases from which the origami model arises such as traditional bases like the bird base, frog base, waterbomb base and others. New bases are being created every day and myriad of models sprang from such starting points.

Origami can be compared to music. Some enjoy music just like some enjoy origami. Some pick up a musical instrument and play them just like an origami enthusiast who folds them. Lastly there are the composers who compose the music and the origami masters who create models.

Uses of Origami

Other than for recreation, origami has been used by

* psychologist as an aid to therapy, in treating drug addiction, with handicapped, with prisoners, in mental health out-patient department, used in schools and hospitals and conduct research
* occupational therapists in occupational therapy department (psychiatric), in helping physical handicap in child special education, in rehabilitation of patients, in helping elderly
* doctors in rehabilitation of hands after surgery, in group therapy, helping children with anxiety and mood disorders
* nurses in rehabilitation of orthopaedic cases, in helping patients in psychiatric hospitals, in helping patients during convalescence and students of mental retardation school
* teachers on clients with disabilities, helping students and in teaching
* speech therapist in speech therapy
* and others for helping an autistic boy with depression, in helping a girl with injured hearing and helping blind children with stress and aggression

Therapeutic value of origami

Origami sessions can provide psychological support, e.g.

* Conveys the feeling of acceptance when you take time to demonstrate or teach origami
* Promotes the feeling of being connected when the client realised self as part of a group
* Staff doing origami presents an approachable image because this activity can pause anytime for more urgent intervention
* Confirms the staff's availability as the client can choose the right time to voice his problem when he feels ready.

Origami sessions can encourage desirable behaviours, e.g.

* Use positive social interaction
* Use problem-solving approach
* Be patient
* Promote creativity
* To develop a hobby
* To involve in activity
* To share feelings and knowledge

Origami sessions can facilitate

* Learning experience
* Problem solving experience
* Communication experience
* Goal setting experience
* Opportunity for fun & relaxation
* Opportunity to receive feedback and positive reinforcement

Other possibilities in Origami sessions

* Used as a bridging therapy
* Used as an relaxation before other therapies
* Used as an non-threatening approach
* Used as an ice breaker
* Paper Folding as a way to demonstrate mathematical ideas

To use paper folding to demonstrate mathematical ideas has the following advantages:

* A novel approach awakens enthusiasm
* Several geometric processes are much more effectively demonstrated
* Prepares students for an appreciation in science and art
* Makes the student physically aware of the ideas
* Easier to demonstrate properties in objects and mathematical principles encountered in mathematics
* A participatory approach encourage better understanding and retention

I use it mainly as an icebreaker whether with strangers or children and as a form of relaxation for myself.
 

References

I draw my references from many origami sites, especially The Garden of Origami and mainly from the works of John S Smith of England.
 
 

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